TICKET INFOAUDITIONS
All roles are open to anyone in the community, and no experience is necessary to audition.
Audition Process:
- Auditions are traditionally held on two dates, When necessary, a call back date will follow. Appointments are usually not required, you'll get signed in when you arrive. Please check each play's specific audition notes carefully.
- Auditions are held in the lounge or in the St. Luke's Community Hall
at 3821 Cedar Hill X Road. - Approximate age ranges of the characters will usually be listed, but it’s always a good idea to check out the script so you can get a feel for the characters.
- All audition material is provided and will be available at the auditions.
- Generally, you will be asked to read pages from the script in front of the director, the stage manager, and other readers.
- You may download this fillable/saveable audition form to prepare ahead of time: SLP Audition Form
2025/26 SEASON AUDITIONS
We held early auditions for our first play of the 2025/26 Season, the first being The Hollow:
The auditions were held with a great response. The difficult decisions made and the cast selected: CHARACTERS:
The Panto for the 2025/26 Season
The auditions have been held. Many thanks to all of you who came and tried out for a part. Better luck next time. Do try again. Here is the cast of characters that will bring this silly and fun story to life:
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Our third play of the 2025/26 Season
| Written by Noël Coward | Directed by Jon Scheer |
‘The Wings’ is a charity home for retired actresses in straitened circumstances who have been stars in their day. Here these aged ladies grow older ungracefully amidst squabbles, jealousies and grandiose memories. On a June afternoon a once great actress arrives, sparking off a feud involving the entire home. It is only resolved when one deranged lady sets fire to her room.
Rehearsals are scheduled evenings from 7:00 to 10:00 on Mondays, Wednesdays and Fridays beginning January 7.
Performances are evenings March 11 to 14 and March 18 to 21, matinees on March 14, 15, 21, and 22 plus a preview performance on the evening of March 9.
Jon bravely rose to the challenge of casting this production. He wishes to thank all of you who came out to try out. Here is the cast list:
| Bonita Belgrave | De Roger |
| Cora Clarke | Julie Gray |
| Maude Melrose | Heather Lee |
| May Davenport | Wendy Cornock |
| Almina Clare | Patricia Zogare |
| Estelle Craven | Muriel Ali |
| Deirdre O'Malley | Beverly van Druten-Blais |
| Perry Lascoe | Sébastien Vincent |
| Sylvia Archibald | Roslyn Heslop |
| Mr. Osgood Meeker | Luke Krayenhoff |
| Lotta Bainbridge | Elizabeth Whitmarsh |
| Dora | Kathryn Theobald |
| Doreen | Claire Rogers |
| Sarita Myrtle | Cat Argue |
| Zelda Fenwick | Elizabeth Derkacz |
| Dr. Jevons | Steve Eastman |
| Alan Bennet, Lotta's Son | TBD |
| Topsy Baskerville | Bronwyn Taylor |
Our final play of the 2025/26 Season
| Written by Eddie McPherson | Directed by Lorne Seifred |
Dolores Gordon has always dreamed of stardom. But the only role she ever seems to land is that of the lowly understudy. So she decides to murder the lead actress. She hides the body in a large wooden trunk, a centerpiece of the production’s murder-mystery set. With a chill, she begins to observe strange things going on among the production’s suspicious and dysfunctional cast.
You may send your Audition Application and resume/CV to Lorne Siefred.
Auditions for Acting Can Be Murder will be held:
| Sunday March 8 | 4:00 – 6:00pm | |
|---|---|---|
| Monday March 9 | 7:00 – 9:00pm | |
| Tuesday March 10 | 7:00 – 9pm | |
| Sunday March 15 Callbacks | 4:00 – 6:00pm | |
PERFORMANCES:
| Evenings | May 20-23 & 27-30 |
| Matinees | May 23, 24, 30, 31 |
CHARACTERS:
| Dolores Gordon (f) | Hard to tell if she's the epitome of evil or just crazy. Mid-to-late 40s. |
| Howard Weaver (m) | Owner of a small but nice antique shop in town and seems to be up to no good. Sophisticated, late 40s or early 50s. |
| Beverly Gladstone (f) | The theatre's competent director. Mid-40s. |
| Janet Duncan (f) | Beverly's stage manager. Young and helpful. Early 20s. |
| Georgia Styles (f) | Highbrow aristocrat who feels it's her job to put everyone else in their place. Early 50s. |
| Lloyd Fischer (m) | The theatre's handyman who is involved in something mysterious. Early 30s. |
| Guinevere Blask (f) | Dolores's murder victim. Seems to restlessly lurk in the shadows of the theatre. Same age as Dolores. No lines |
| Isabella Watts (f) | Recently learned of her husband's ongoing “hobby”. 30s. |
| Olivia Anderson (f) | Isabella's friend in need. Young and attractive. Early 20s. |
| Alice Oldacre (f) | “Overhears” something she shouldn't have. Late 40s. |
| Oscar Fairfax (m) | A local medical doctor. Mid-60s. |
| Officer Evan Giddle (m) | A policement who is very concerned about his standing in the community. Mid-to-late 20s. |
| Geoffrey Chance (m) | Young and arrogant. Like's fast cars and adventure. Early 20s. |
| Albert Fisk (m) | An eager Actor. Mid-to-late 20s. |
| Extras (m/f) | Other cast members in the play and/or members of the dream sequence. |